Сomposition

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Описание и характеристики

Aimed at both photography and design students as well as anyone with an interest in photography this series will provide the reader with a comprehensive reference tool divided into six sections which focus on the basics, formal elements, organisation of space and time, real world rules and original approaches to composition. The book is illustrated throughout and includes cutting-edge images, which will both inspire and inform. .Second to lighting, composition is the key ingredient for the creation of a successful photograph. Whatever other technical skill is involved, if the formal organization of an image is lacking, there is little to hold the interest of the viewer. But what makes a winning composition? Is it about following the rules-or about breaking them? Basics Photography: Composition is divided into six core chapters that cover everything the beginner needs to know to improve their composition, including the basics of composition, exploring the formal elements, how to organize space and time, learning the real world 'rules' and, beyond that, how to use the ideas presented in the book to create original, compelling images. The book is illustrated throughout with photography to inform the mind and inspire the eyes. Includes work by: Henri Cartier-Bresson, Dorothea Lange, James Nachtwey, Martin Parr, Marc Riboud, David Hockney, Duane Michals, Harry Callahan and John Darwell, and many more. Includes the following subjects: The basic rules of composition, including viewpoint, perspective and scale; the formal elements, such as point, line, shape, form, texture, pattern, tone and color; how to organize space using frames, balance and space; capturing the passing of time and specific moments, the decisive moment and sequences; applications of composition, featuring landscape, still life, portraiture, documentary, the figure, action and sports, fine art and advertising; finally, finding your own view and the specific considerations of digital imaging.
ID товара 2667055
Издательство AVA
Год издания
ISBN 978-2-94-037304-8, 978-2-940373-04-8
Количество страниц 176
Размер 1.3x16.2x23
Тип обложки Мягкий переплёт
Вес, г 520

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Aimed at both photography and design students as well as anyone with an interest in photography this series will provide the reader with a comprehensive reference tool divided into six sections which focus on the basics, formal elements, organisation of space and time, real world rules and original approaches to composition. The book is illustrated throughout and includes cutting-edge images, which will both inspire and inform. .Second to lighting, composition is the key ingredient for the creation of a successful photograph. Whatever other technical skill is involved, if the formal organization of an image is lacking, there is little to hold the interest of the viewer. But what makes a winning composition? Is it about following the rules-or about breaking them? Basics Photography: Composition is divided into six core chapters that cover everything the beginner needs to know to improve their composition, including the basics of composition, exploring the formal elements, how to organize space and time, learning the real world 'rules' and, beyond that, how to use the ideas presented in the book to create original, compelling images. The book is illustrated throughout with photography to inform the mind and inspire the eyes. Includes work by: Henri Cartier-Bresson, Dorothea Lange, James Nachtwey, Martin Parr, Marc Riboud, David Hockney, Duane Michals, Harry Callahan and John Darwell, and many more. Includes the following subjects: The basic rules of composition, including viewpoint, perspective and scale; the formal elements, such as point, line, shape, form, texture, pattern, tone and color; how to organize space using frames, balance and space; capturing the passing of time and specific moments, the decisive moment and sequences; applications of composition, featuring landscape, still life, portraiture, documentary, the figure, action and sports, fine art and advertising; finally, finding your own view and the specific considerations of digital imaging.